Відео

Yes, it should still be compatible with recent Ae versions. If you run into any issues, best open a support ticket at aescripts. Any tickets for my tools will go straight to my inbox :-)

You cannot create Pr title texts with scripts, but you can use a Ae-based Mogrt. Here is a tutorial showing a script, which adds such texts for each clip of the sequence: ua-cam.com/video/gIDqVzc5vpQ/v-deo.html . In a similar way, you can loop over all markers instead of all clips and then create the texts accordingly.

See this tutorial: ua-cam.com/video/PVcsoULpDYI/v-deo.html A "stabilized precomp" rig gives you a composition inside which the tracked object is not moving anymore (the entire composition is moving with the track). Therefore, inside the precomp, the head is not moving anymore and you can apply Auto Lip-Sync inside of it without the need to worry about any movements. The cool thing is that all changes you do in the stabilized precomp will automatically also be visible in the main composition. See this tutorial for an overview how stabilized precomps work: ua-cam.com/video/gMBJ1R3t4dw/v-deo.html

Yes, see these videos for examples: ua-cam.com/video/FPeOjwP1pX8/v-deo.html ua-cam.com/video/UCt8eZCgQqc/v-deo.html These examples always append clips to the end of the sequence, but the "add project items" block also has an option to insert clips at a custom time.

All methods to remote-execute Automation Blocks are described here: docs.mamoworld.com/automation-blocks/remoteExecution

Auto Lip-Sync always just "cuts a hole" in layer, so whatever other layer is below will become visible. You can put a black solid layer below the layer, to which you applied Auto Lip-Sync, for example. You can create a solid in the Ae menu Layer->New->Solid...

Are those markers saved as metadata or is there a way to export them to a spreadsheet?

In the After Effects Preferences in the tab "General" you can disable the option "Default Spatial Interpolation to Linear",

@@mamoworldcom I did wasnt work first but IDK how fixed later, thank you

If you enable the option "quantization", BeatEdit makes sure that all beats have the same distance. Note that this is also the best option for all songs, which have a constant tempo (which is the case for almost all songs). Songs, where the tempo - and hence the distance between the beats - changes over time are very rare. But if you have live music, or music with speed ramps, you might want to disable quantization. But in general, beats are like a metronome - evenly spaced, and not the same as peaks in the waveform. If you want to create markers for more complex rhythmical pattern, you most likely want to use the "add extra markers" option. See this tutorial: ua-cam.com/video/1beYNGU8IJc/v-deo.html

Does the Auto Track Selector help? ua-cam.com/video/KYgl3Ut6yW8/v-deo.html

If you open the options for the export you can choose: "If a text already has an ID: skip/replace/preserve". By default, it is set to "preserve" i.e. if you export the same text multiple times, it will always keep its original IDs. Note that if you export multiple folders of the same project the following happens: 1. Say you export folder A and it contains 20 texts - then they will obtain IDs 1-20 2. Say next you export folder B, now Text2Spreadsheet will start with ID 21 for folder B, since IDs 1-20 have already been used by folder A You cannot use the same IDs for folders A and B, since then when importing the texts later, the import would assign the same value to texts in folders A and B. It is crucial that every text in the project always has a unique ID.

@@mamoworldcom Thanks for the reply. I have another idea: manually change the ID in the comment of the text layer so that the ID cannot be changed later when I add or delete any text. We are actually making a video in different languages. However, there is a problem with the text auto-scaling. For example, if a text is short in English but long in another language, the text size increases after importing the XML file and goes outside of the container. Is there any solution or script available?

@@Tofan-vy6dt Pins & Boxes can help go adjust the layout accordingly, when the size of a text changes: aescripts.com/pins-and-boxes/ This tool from Automation Blocks for Ae might also help: ua-cam.com/video/2ZX844dwXv4/v-deo.html

The "Add Project Items to Sequence" block can insert any project items - no matter if it is a footage item or a sequence. To support sequences in your spreadsheet, you could, for example, annotate in an extra column (say column D) "SEQUENCE" or "CLIP" and then implement a case distinction, like - if column D has value "CLIP", consider the value in column A to be a filepath and import it - if column D has value "SEQUENCE", consider the entry in column A to be the name or path of a sequence Then you can have in column A values like "/path/to/myFile.mp4" and also something like "\binsubbin\sequenceName" to use a sequence present in your project instead of a file.

@@mamoworldcomThank you so much, you're a god among men for creating this tool! ; u ;

@@SnackersZ15 Update: I just added a variant of the tool to the community libary which is called "Append Clips From Spreadsheet to Active Sequence with In and Out Point and Support to Insert Sequences.xml" It works even simpler than I described. Just put in column A either a file path or a project item path like "bin\subbin\mySequence". The tool first checks if it is a valid, existing file, and if not automatically assumes it is a project item. So no need to manually annotate in the spreadsheet which of the two it is. Here is a direct link to the xml file: www.dropbox.com/scl/fi/oeh5ffu2c56wfpyv48bi5/Append-Clips-From-Spreadsheet-to-Active-Sequence-with-In-and-Out-Point-and-Support-to-Insert-Sequences.xml?rlkey=ezd09coolg74esgjgknkbj0d3&dl=0 Please let me know if it works for you.

Yes, a single instance of the "Add Project Items to Sequence" block currently inserts all three clips (intro/main/outro) into video track 1. You can simply use a second copy of that block to insert the outro separately. Then you can specify a different track for it (put it on video track 2) and insert it at a specific time. To calculate the correct time, you need to measure the duration of the main clip with the "Get Attribute of Project Item"-Block and then subtract the overlap from it (say, if the main clip is 10s and the overlap should be 1s, insert the outro at 10-1 = 9s) Docs of the blocks: "Add Project Item to Sequence": docs.mamoworld.com/automation-blocks/block-reference/prSequence#pr_sequence_add_clips "Get Attribute of Project Item": docs.mamoworld.com/automation-blocks/block-reference/prProjectItems#pr_item_get_property

Internally, Premiere Pro's scripting engine works with color IDs: Violet is 0, Iris is 1, Caribbean is 2 etc. Now with Automation Blocks, you can set a label color either to the number 2, or to the text "Carribean" and in both cases it will internally ask Premiere Pro to set it to the second configured label color - no matter which actual color it is. In other words: Also if you configured different label colors, the Automation Blocks tool will show the default label names. But it will correctly set the other colors, you've configured.

As far as I know, the scripting API of Pr has no documented functions to enable/disable effects. For adding effects in the meantime we found some inofficial QE-dom functions, which you can now also use in Automation Blocks (see docs.mamoworld.com/automation-blocks/block-reference/prOther#clip-apply-effect), but I am not aware of a similar workaround to enable/disable effects.

Did you make sure to restart Ae after installing Auto Lip-Sync?

@@mamoworldcom Yes.

@@mamoworldcom Hello, now it's working. What are the limitations of the test version? Is it limited up to 30secs?

Then you have to change the block code such that it first creates a sequence only for the main file. Then insert in V2 the intro clip at time 0 and the outro clip at time (duration of main clip - duration of outro).

@@mamoworldcom and how to set a "new" duration of still frame ?

@@marciodomundo you need to set the outpoint of the clip in the sequence: docs.mamoworld.com/automation-blocks/block-reference/prSequenceClips#out-point

Not sure about retaining layers as sequence, but maybe the 1 click slideshow tool is a good starting point to learn how to import images and put them into a sequence with block code: docs.mamoworld.com/automation-blocks/tools-pr/oneClickSlideshow

It should also work in 19. If you run into any issues, please open a support ticket at Please open a support ticket at aescripts.com/contact/?direct=1&product_id=2011

update: I just tested BeatEdit with the current DaVinci Resolve 19 beta and it all works fine.

As far as I know the scripting API (and hence also Automation Blocks) currently has no access to the transcripts in Pr, unfortunately.

The "Comp Duplicates From Spreadsheets" tool is a good starting point: docs.mamoworld.com/automation-blocks/tools-ae/compDuplicatesFromSpreadsheet

Hi Andreas, I've seen that you opened a support ticket at aescripts in parallel. I just replied to the ticket :-)

@@mamoworldcom i send the screenshot!! By the aescripts Ticket.

Oh yes, it is a huge topic and things like automation are some of the more advanced topics. But once you mastered them, they can make you so much more efficient :-)

Thanks a lot for your feedback! There is currently no way to zoom that view. It is already on my feature request list, so maybe we will add that in future updates.

@@mamoworldcom Thanks for the reply, hope to see the zoom feature in the future then.

Then instead of the "import file" and "set footage project item" blocks you would loop for each timecode range over all clips of the selects sequence and find the ones that are within that range. If you wonder how to find the project item of a clip in a sequence: To any block, which expects a project item (like "set attribute of project item" or "add project item") you can also give a sequence clip instead and it will convert it to the project item of that clip. automatically.